The Land's End 2012/2013 Season


HEAR AND NOW!

Ticket Prices:

Adult $20

Senior $18

Student $10
Call (403) 403 283 5883 or visit Land's End on Eventbrite.com
Memberships are $15 and can be purchased on EventBrite
Donations are also accepted on Eventbrite

OF BIOPHONY
Friday, November 23, 2012, 8:00 PM
Arrata Opera Centre
1315 - 7 Street SW 

Laura Jayne Bowler, artistic director
John Lowry, violin
Beth Root-Sandvoss
Susanne Ruberg-Gordon, piano
Mary Sullivan, flute

George Crumb  Vox Balaenae 
William Jordan  Owl Song
Ana Sokolovic  Vez

INTERMISSION

Ana Sokolovic  Cinque danses 
Laura Jayne Bowler  Vocem Brits PREMIERE

The iconic work of the American composer George Crumb, known for its unique soundworld and innate theatricality, is typified in his work Vox Balaenae. First performed in 1972, it is still heard frequently and sounds just as fresh today. Using this work for amplified flute, cello and piano as a centre point, Land's End explores the presentation of works as "1st Act" and "2nd Act" combinations, as well as the legacy that George Crumb has left with composers living today. Alongside Crumb will be a work commissioned by the Marsyas Trio (UK) from Laura Jayne Bowler, the new Artistic Director at Land's End. This work has been commissioned as a "2nd Act" to the "1st Act" that is George Crumb's Vox Balaenae; a continuation, innovation and development of the soundworld created by Crumb. We will also be performing the work of Crumb's student, William Jordan (Head of Music, U of C); Owl Song for violin, cello and piano, bookended by a "1st Act" and "2nd Act" combination of two solo works by Montreal-based composer, Ana Sokolovic: Vez for solo cello, and Cinque dances pour violon solo. The programme travels through the meditative, alluring sound-world of Crumb's Vox Balaenae to the raw, un-nerving world of Bowler's new work, passing through two energetic explorations for solo instruments by Ana Sokolovic.

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AROUND APERGHIS
Friday, January 25, 2012, 8:00 PM
Rozsa Centre, U of C
Dorothea Hayley, soprano

Laura Jayne Bowler, artistic director and conductor
Eric Bumstead, percussion
Louise Campbell, clarinet
Kyle Eustace, percussion
Lucie Jones, flute
John Lowry, violin
Laurie Radford, computer
Beth Root Sandvoss, cello
Susanne Ruberg-Gordon, piano
TBA,  piano

Georges Aperghis  Recitations (1)  soprano solo 
Kelly-Marie Murphy  Memory, Distance and No Time for Dances
Georges Aperghis  Recitations (2)  soprano solo   
Michalis Andronikou   Osmosis/Zymosis  PREMIERE

INTERMISSION

Georges Aperghis  Recitations (1)  soprano solo 
Laurie Radford  Pourriez-vous etre le couteau dans ma vie? 
Georges Aperghis  Nuit a la tete 

Georges Aperghis (Greece, b. 1945), a student of the infamous Greek composer, Iannis Xenakis, is currently based in France working predominantly in exhibitionist, experimental music theatre (works). He is a dominant figure in European new music life, and is a frequent member of the Faculty at the illustrious IMD Festival of New Music in Darmstadt, Germany. Land's End features his work in the Happening New Music Festival, bringing this unique composer's music into focus in Western Canada. Aperghis' vocal writing is hugely exploratory, striving to achieve the most unusual, interesting, raw, visceral, mechanical and improvisatory qualities. Alongside his Recitations and Nuit a la tete will be a World Premiere by a Greek PhD student at the University of Calgary, Osmosis/Zymosis by Michalis Andronikou. Both composers draw on the connection of their heritage, but also show extreme contrast in musical sound worlds. Also featured are two contrasting works for piano trio by Kelly-Marie Murphy and Laurie Radford, electronic sound processing being a prominent feature of the latter.

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CIRCLING SCANDINAVIA
Saturday, April 27, 2013, 8:00 PM
National Music Centre (formerly Cantos)
134 - 11 Avenue SE
Francois Houle, clarinet

Laura Jayne Bowler, artistic director
John Lowry, violin
Beth Root Sandvoss, cello
Susanne Ruberg-Gordon, piano

Rodney Sharman  Pavane, Galliard and Variations
Bent Sorenson  Phantasmagoria 
Magnus Lindberg  Ablauf 
Simon Steen Anderson  Rerendered
Winner of LE Composers Competition 
Francois Houle  Ethos Studies 

With a huge wealth of exciting new music coming out of Scandanavia, Land’s End wanted to bring some of that rich musical sound world to Calgary.  A work by the celebrated Finnish composer, Magnus Lindberg, presenting the clarinet soloist with an array of extrovert theatrics against a ritualistic accompaniment of the two bass drums, is  programmed alongside Simon Steen Anderson’s innovative work for pianist and two quasi-dumpster diving assistants, so this concert is sure to be a feature for both the ears and eyes! The Scandinavian soundscape is book-ended by works of Canadian origin, creating, what can only be described as, a Canadian-Scandinavia Sandwich!

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GRAVITY AND GRACE
Allan Gordon Bell CD Release
Friday, May 24, 2013, 8:00 PM 
Rozsa Centre (U of C Contrasts Festival)
James Campbell, clarinet

Laura Jayne Bowler, artistic director
John Lowry, violin
Beth Root Sandvoss, cello
Susanne Ruberg-Gordon


Allan Gordon Bell  Phenomenes
Allan Gordon Bell  Monashee 
Allan Gilliland  Suite from the Sound 

INTERMISSION

Paul Schoenfield  Trio for Clarinet, Violin and Piano 
Allan Gordon Bell  new work  PREMIERE

Land's End is joined by the great Canadian clarinettist James Campbell for
this celebration of the new Allan Gordon Bell CD, Trails of Gravity and Grace. The concert includes the public premiere of a new work composed for Land's End and James, as well as Phenomenes for piano trio, and Monashee for cello and piano. As Calgary audiences well know, Allan is one of our foremost composers, particularly in his unparalleled ability to paint the western landscape in striking sound pictures. The new disc includes premiere recordings of four works ranging from 1997 to 2012. Also on the program is the Trio for Clarinet, Violin and Piano by Paul Schoenfield, with a sort of super-updated klezmer sound, as well as Allan Gilliland Suite from the Sound, also dedicated to James.


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